Christmas Eve Talk
M. Rebecca
This is my 3rd chapter talk for Christmas and
each time I have used visual art to try to bring out a deeper expression and
impression of this mystery of Jesus’ birth.
Guerric of Igny said in one of his Christmas sermons: “Our senses are
incapable of seeing the invisible, inapt to comprehend the celestial…and although
faith comes from hearing, it comes more prompt and ready from seeing…We not only hear the Word of God preached {today} but
we see the Word of God given to us
this day.” Art can communicate in places
words cannot go. So I repeat today Guerric’s
own invitation to his monks over 900 years ago, “Come let us make our way to
Bethlehem and see this happening
which God has made known to us”!!
This year I would like to use a painting that I saw at
the National Gallery in London. It is
called “The Nativity at Night” and was painted around 1490 by a Flemish
painter, Geertgen. He was inspired by the mystical vision of St Bridget of
Sweden (also from the 15th century).
In one of her visions, St Bridget wrote, “The light of the new-born
child was so bright that the sun was not comparable to it”. This is what Geertgen said he tried to
capture - which is interesting for such a dark
painting!
Yet what first grabbed my attention was his use of
light. The divine light from Jesus is
the center or focal point – it is not a reflected light but comes from within. When I saw this painting, our Lauds antiphon
came to my mind: “He is the source of
light and in His Light we see light”. Those who catch this light are in joy, awe, or
adoration…even the animals. The donkey
is a bit shy and kind of nudges his way behind Mary. But
the ox pushed his way right into the middle of the painting with eyes wide open
in amazement at seeing the Child Jesus. All
the little angels have their hands clasped in prayer except one who is so
overcome with joy she is beside herself!
She reminds us that one cannot be ‘in the Light w/o delight’!
But in the background we have another scene going on. There are shepherds in the field surrounded
by a puny little campfire, while an angel shining in the darkness of a starless
night illuminates the minds and hearts of the onlookers. The angel is directly above Jesus in the crib
and I wonder if that was on purpose to show Jesus was the source also of the
angel’s light. The human campfire is
almost unnoticeable in comparison with the divine rays. All the light we can generate in this world
is puny compared to Christ…or as St Bridget said, not even the sun is
comparable to it!
A basic scientific understanding of light tells us that
light is invisible until it hits something.
Light is wavelengths and so only after it touches an object can it
reflect light, color, and beauty.
Otherwise, it remains an invisible, unnoticed reality. This
can teach us something about Geertgen’s painting but also about Christmas: We
must sit with the Light and allow it to touch us. We must absorb and reflect the Light…in order for Christmas to become a visible reality.
It is thought that originally this painting was done as an
altarpiece. Imagine the symbolism of the
priest raising the consecrated Host at the altar and having the Infant Jesus
juxtaposed lying in a manger. How
fitting for this baby, humble and naked, to be situated at the altar. Jesus at the end of his life will again be
humbled and naked, not in a hidden manager but high on a cross for the entire world
to see. But these are not just past
events. Jesus continues to be humble and
vulnerable as He gives Himself to us daily in the Eucharist. The
Eucharist is the greatest expression of the love of God incarnate! The tie b/w Christmas and the Eucharist is
inseparable…the Eucharist keeps Christmas happening every day! So how fitting that we have in our own
sanctuary the cross hanging over the crèche with the altar in between! The cross and crèche join together at the
altar, in the Eucharist.
Guerric of Igny hinted at this connection when he told
his brothers “you too will find the Infant today wrapped in swaddling clothes
and laid in the manger of the altar.”
He continued, “The more completely His majesty humbled and emptied
Himself, the more easily and fully did charity divest itself of self-love and the love of God possessed
them”. Just as our Lord was disguised
by being wrapped in swaddling clothes, so today we have this same sacred Body
wrapped in the humble white host on our altar.
Yet again, we must have Light to see Light. We must be near Christ to reflect His Light
and be illuminated by this mystery. So let
us take Guerric’s instructions to his own monks: Let us become more completely humble and
empty so that charity may more easily divest us of self-love and let the love
of God possess us. This is Christmas. This is how we give birth to Christ. This is divine Light absorbed and reflected. And this is what I think Geertgen’s painting
is calling us to: to be like that angel
with open hands unable to contain herself or her joy…to be like the awe-struck
ox caught in amazement…to be like the shy, reverent donkey in adoration. So we
must sit often in the silence of the Divine Child born on the altar in the
Blessed Sacrament. For when we receive
the Eucharist, and when we become Eucharist for others, we make “Christ born to
us” anew! It is there we learn to
receive and reflect His Light and then Christmas becomes a noticeable, visible
reality every day.
So I will end with one final word from Guerric, “If we do
not turn away our faces from considering Him who lies in the manager, we can be
fed most happily by seeing and gazing
on Him…and considering Him who lies on the altar, we can be fed most happily by
tasting and savoring Him.” So let us cast our sight on the Light…and let
us savor our Savior!
When we do this it will truly
be Christmas! For Christ is born to us
TODAY!
Christmas 2014